Overview
For students interested in learning how to work in a recording studio or with live sound.
Faculty
News
Core Classes
Theory I
MUS 2010
The study of music from Medieval Period to 1700. Students will be expected to compose and analyze music appropriate to the styles studied within the context of the era under investigation. Music notation software will be used to complete the requirements of this class; training on this software will be embedded in the class.
Course Hours: 3
Theory II
MUS 2020
Continuation of Theory I. The study of music from 1700 to 1800.
Course Hours: 2
Aural Theory I
MUS 2060
The teaching of aural skills in music theory, focusing on both dictation and sight singing with the single goal of developing internal musical perception and the ability to hear musical relationships accurately and with understanding. Equal emphasis is placed on melodic, harmonic and rhythmic elements in music. Classroom and computer lab instruction is utilized. Initial emphasis on half-beat values in rhythmic study, music interval study involving m2-M3, melodic study involving diatonic melodies and harmonic study involving I and V chords.
Course Hours: 2
Aural Theory II
MUS 2070
Continuing development of internal musical perception through ear training and sight singing with emphasis on duple and triple subdivisions in rhythmic study, music interval study involving m2-P5, melodic study involving leaps of m3-P5 and harmonic study involving I, ii, IV, V chords and non-harmonic tones.
Course Hours: 2
Basic Concepts of Audio Technology
MCM 1050
Designed to familiarize the student with the basic concepts of real-time and recorded audio. Topics covered include: a brief history of recording, wave propagation, signal flow, analog and digital console operation, monitoring and amplification, cables, connectors, microphones, and a hands-on approach to mixing for live sound reinforcement, digital theory, and basic DAW operations.
Course Hours: 3
Recording Techniques
MCM 2050
Designed to acclimate the student to various recording styles and microphone techniques in audio production. Major areas covered: Mono and Stereo microphone techniques, instruction and practical application of recording consoles, and intermediate in Avid Pro Tools(r). Students are required to complete several projects and become familiar with equipment in Recording Studio A.
Course Hours: 3
Editing and Mixing Techniques
MCM 2070
A continuation of MCM 2050, this course explores techniques in editing and mixing with topics including: DAW editing functions, synchronization, MIDI, automation, signal processing in both hardware and software formats. Special topics include mixing on both on Analog Console and DAW formats. Lab Required.
Course Hours: 2
History of Audio Recording
MCM 2100
Designed to familiarize students with a historical account of recording audio spanning from the 19th century to present. Topics include: recording devices, styles, methods, and historical figures who shaped the art of recording.
Course Hours: 2
Outcomes/Careers
The Associate of Arts degree in recording technology teaches students the art of recording and mixing audio production for various types of music, as well as digital cinema. This degree could be applied toward work in a variety of roles, including concert sound, film scores, design sound for video or computer games or recording a wide array of music genres. Upon completing this degree, students will be equipped to begin pursuing roles in the following areas:
- Audio production/engineering
- Digital cinema audio engineering/mixing (including ADR, Foley, sound design and special effects)
- Live sound work as a front-of-house (FOH) engineer, monitor engineer, backline crew or stage manager
After completing the program, students can begin working to complete their bachelor’s degree, if desired. The associate program satisfies the prerequisites needed to seamlessly continue on to earn a Bachelor of Arts in music (commercial).
FAQs
What kind of classes will I take as part of this program?
You’ll take classes in music and aural theory, as well as in audio technology. Coursework also includes instruction and hands-on learning in recording, editing and mixing techniques. A class on the history of audio recording provides a helpful framework for students earning a degree in recording technology.
Will I have access to the recording studio on campus?
Yes, students have access to the editing programs in the computer lab, recording studio equipment and live broadcast room equipment as part of their classes. They can also rent the space at a discounted rate for personal projects, if desired.
Does Trevecca have industry contacts for potential internships or post-graduate job opportunities?
Yes. After meeting certain academic prerequisite requirements, students can greatly benefit from our connections with Nashville-based recording studios and music executives.
Can I transition into a bachelor’s degree after earning my associate degree?
Yes, classes completed as part of a student’s Associate of Arts in recording technology degree can be applied toward a Bachelor of Arts in music (commercial). Upon completion of the associate degree, students can discuss their course plan with an academic advisor and formulate a continued, seamless path of study.
Overview
Trevecca’s Associate of Arts in recording technology is designed to teach students the art of recording and audio production for various types of music, as well as digital cinema. In today’s exciting world of music and entertainment, this degree can be applied toward professional work in a variety of roles, including:
- Audio production/engineering
- Digital cinema audio engineering/mixing (including ADR, Foley, sound design and special effects)
- Live sound work as a front-of-house (FOH) engineer, monitor engineer, backline crew or stage manager
All recording technology classes are housed in the University’s School of Music. This allows students to develop the skillset and fluency needed to interact with session instrumentalists, enhance their role as a music producer or engineer, or even utilize their instrumental knowledge to contribute to recording sessions, thereby potentially earning extra income. Trevecca’s small class sizes often allow students to experience a one-on-one learning environment with access to state-of-the-art equipment. Students have access to the editing programs in the computer lab, recording studio equipment and live broadcast room equipment as part of their classes. They can also rent the space at a discounted rate for personal projects if desired.
Students can choose to concentrate on audio production, audio for digital cinema or audio mastering. Faculty includes Grammy-nominated sound engineer Charley Hubbs, who has more than 25 years of professional experience. Trevecca alumni have greatly benefited from the program’s structure and it has helped them to prepare for career success. For example, students who’ve graduated from the program have proceeded to run a recording studio, work as front-of-house (FOH) engineers for successful bands and work as a digital cinema engineer in California.
After completing the program, students can begin working to complete their bachelor’s degree, if desired. The associate program satisfies the prerequisites needed to seamlessly continue on to earn a Bachelor of Arts in music (commercial).
The recording technology minor benefits those in commercial music and music business as well as those wanting to work in a recording studio.